The Dance
Bellydance, also known as Middle Eastern dance, has a rich cultural background that spans several centuries and various regions in the Middle East. The dance is believed to have originated in ancient Egypt and then spread to other countries in the region such as Turkey, Lebanon, and Persia. Historically bellydance was primarily performed in social settings such as weddings, parties and festivals, and also as part of religious rituals and ceremonies. The dance was not only a form of entertainment but also a way for people to express emotions, tell stories and celebrate important events.
Compared to many western dance forms which focus on the movement of limbs and body through space, bellydance is driven by hip and torso articulation; as such, it’s a great way to increase balance, core strength and flexibility. The dance is often accompanied by traditional Middle Eastern music, which can include instruments such as the oud, tabla, and darbuka, and can be performed solo or in a group. The costuming and movement vocabulary vary depending on the region of influence, such as Egyptian, Lebanese, Turkish, and American Cabaret styles. Similarly, traditional folkloric dance styles and costuming differ to the golden-era, modern, and fusion styles.
Fusion bellydance combines elements of traditional Middle Eastern dance with other dance styles and influences from around the world. This can include elements of jazz, hip-hop, industrial, and contemporary dance, or the use of non-traditional props and Western music. Many fusion bellydancers are inspired by the idea of creating a dance that reflects the diverse cultural backgrounds of themselves and their audiences. Others just like to play with and combine various elements in the continued evolution of dance.
The Teacher
Andriya has been dancing and performing Middle Eastern Dance in various forms since 2003 when she was first welcomed to the Perth bellydance scene by Shaheena. Her own learning opportunities and exposure to different styles and techniques have been bolstered by international artists from Egypt, Turkey, Europe, and the USA. Having dipped her toes into most available forms of bellydance at various times, Andriya has found herself strongly drawn to Egyptian dance in its many styles and flavours. She also revels in theatrical dance styles and working with props – sword, cane, veil, zils, riq, shamadan, wings and voi – there aren’t many that she hasn’t had a play with or collected over the years. Par for the course, bellydance costuming needs have provided another creative outlet and area of skill development for Andriya to master.
Andriya’s general teaching and instructing experience spans 25 years, delivering a wide variety of content to students of all ages in many different environments. She has specialised in outdoor, recreational, and movement-based activities, which have since influenced her own performance and exercise choices.
Andriya Dance 